A family with very little money worries about not being able to buy presents for each other, until they receive a little inspiration from a Christmas legend.

A homesick YouTuber stuck in L.A. for the holidays must rediscover the meaning of friendship and save her friends’ night from disaster after she mistakenly throws a party for the entire Internet.

War vet Nick Gutman is forced to take a job with his father's quirky garbage men buddies. When tasked to destroy canceled toys before Christmas, Nick takes on the secret identity "Jingle Smells" and becomes a Robin Hood of the holidays.

Estranged sisters Margo and Grace attempt to reconcile on Christmas Eve, but are interrupted by a killer masked snowman.

Nick and Molly, commitment-phobic and busy professionals with little in common, are asked to be the best man and maid of honor at the wedding of their mutual friends, Amy and Jamie.

At the express wish of her father, Lucy Martin marries Leo Noakes, a stingy man and one twice her age. When they are at church one Sunday a fire breaks out and everybody manages to escape with the exception of Lucy, her husband and her former sweetheart, Walter. While Noakes sinks tremblingly upon the floor, Walter seizes Lucy and brings her to safety. Regardless of his many burns, he dashes back into the roaring flames and drags out old Noakes, But upon investigation it is discovered that he is dead. Even though he had been cruel and harsh to her, Lucy bewails his loss. Some time after the obsequies Lucy succumbs to the wooing of her former sweetheart.

Manhattanite Catherine O'Mara (Heche) bonds with a young man who has run away from his father. When the father returns to New York a year later to sell his Christmas trees, he and Catherine cross paths.

HELL'S BELLS is the story of two aging idiots who accidentally make a deal with the Devil to fulfill their life-long dream of being rock stars and the hi-jinx that ensue when it's time to pay the Reaper.

Hell's Bells is a new feature-length film by John Bock. Developed over the last five years and shot in Germany in 2016, the film is styled as a contemporary Western. It interweaves the familiar story and stock characters of the genre with the theatrical and anarchic mode of Surrealism for which Bock has become known. The story unfolds in a gloomy, nocturnal realm - an indistinct conflation of reality and dream - centering on an unnamed town. Against a backdrop of simultaneous industrialization and grinding poverty, Bock tells the story of a stranger (played by Bibiana Beglau) who arrives in town pursued by mysterious guilt. She is accompanied by a young deaf girl, who emerges gradually as a powerful force - telepathically controlling the course of the story. A conflict develops between two other characters - the local priest (Ulrich Matthes) and a diabolical, dandified villain (Lars Eidinger) who plays with Death in the style of a medieval demon. Each character is revealed to be burdened by a different kind of guilt - stemming variously from the loss of a child, the loss of morality, and the loss of religion.

Hell's Bells is a new feature-length film by John Bock. Developed over the last five years and shot in Germany in 2016, the film is styled as a contemporary Western. It interweaves the familiar story and stock characters of the genre with the theatrical and anarchic mode of Surrealism for which Bock has become known. The story unfolds in a gloomy, nocturnal realm - an indistinct conflation of reality and dream - centering on an unnamed town. Against a backdrop of simultaneous industrialization and grinding poverty, Bock tells the story of a stranger (played by Bibiana Beglau) who arrives in town pursued by mysterious guilt. She is accompanied by a young deaf girl, who emerges gradually as a powerful force - telepathically controlling the course of the story. A conflict develops between two other characters - the local priest (Ulrich Matthes) and a diabolical, dandified villain (Lars Eidinger) who plays with Death in the style of a medieval demon. Each character is revealed to be burdened by a different kind of guilt - stemming variously from the loss of a child, the loss of morality, and the loss of religion.